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by Words by Michaela Poppleton, written up by Dave Zeiger (triloboats.blogspot.com) - Sitka, Alaska - USA

Part One - Part Two

Part 1 – the idea

Over at VolksCruiser, Bob Wise asked his readers what we would like in a VC. Among the responses was Mimi P's alternative approach, Hermit Crabbing. Michaela Popperton, the woman behind the netID, graciously expands, here, on her comments.

The beauty of the HC approach is that one can sample from the smorgasbord of possibility - both in sailing grounds and types of vessel - without the heavy investments of time, money and energy that a fully found vessel can consume. Yet one is much more connected to one's time aboard than in, say, a bareboat charter. Such kits are scalable, and can be personalized to many styles of cruising, ranging from open beach cruiser to trade wind sled.

Just find a shell!

The following is her lightly edited account, reformatted from our correspondence...


Bio

I'm just about to turn forty-four years of age, was born and raised in and around Toronto.  I studied architecture in university but never pursued it beyond that, becoming rather turned-off by the profession's narcissistic self-obsession - which is pretty ironic seeing as I've ended up in the middle of all-things-yacht which is about as self-absorbed as it gets.

I work in the marine biz, so I have a sort of love-hate relationship with boats.  It's a career that has afforded me some great opportunities to live in lands far-away, but it also sometimes takes the fun out of doing something as simple as going sailing; there are days when the last thing that I want to do is deal with another boat, even if it is my own!  I'm shore bound for a while right now, so hopefully that will help to rekindle the passion; to freshen the breeze, in a way.

I've sailed all my life, raced much of it, and being a natural tinkerer I got involved in production yacht building with the late PDQ Yachts in the late nineties.  I started on the shop floor fitting joinery into the boats, but between having a pretty solid boating background and being pretty bright I quickly moved into a role managing (ack...) the existing and in-development sailboat lines, and eventually ended up in a role as the president's right hand and acting as a sort of liaison between the engineering, sales, and production departments.
 
[I'm now] acting as [...] liaison between a customer or marketing group, a designer, builders and a boatyard.  The customers know what they want and the designer knows what it should be - then I figure out how and what it will take to build it, and then convey that to the hands in the yard.  It sounds pretty glamorous, and sometimes it even is, but it's mostly a lot of drudgery penning specifications, populating bills of material, and schedule building.

I've built on the beaches in Thailand, in the furnaces of Taiwan, up the river in Argentina, aside the Broads in the UK, down the Eastern Seaboard of the US, and most recently in sunny, breezy Western Australia.

I took to living aboard out of economy more than anything else.  I could afford to keep a home or a boat, but trying to keep both was going to be a stretch, so I chose the boat.  Doing the kind of work that I do, one or two or three years at a time, demands that I be flexible, unencumbered, and mobile; this is reflected in my hermit crab style of boating, and living.  

The Hermit Crab Approach

I've taken [...] a cue from the hermit crab.

I have a small collection of good "stuff" that I take with me from boat to boat as my situation or locations change. Everywhere in the world I go there are countless almost-retired hulls waiting shoreside for me to move in, and they are generally of a type that suits well the local waters. It is easier, and less expensive, to pack my kit in a crate and ship it across an ocean than it is to forever keep a boat that has passage-making capability that is only occasionally used to advantage.

Essentially, it's a collection of decent and useful gear that I've collected over the years, some of it purposefully bought and some of it scavenged, that lets me move onto just about any boat in the 25 to 35 foot range without that boat having to be already well fitted and maintained.

It allows me to use (just about) any of the countless, long-forgotten hulls that litter the marinas and yards all around the world.  I have been involved in the construction of so many of them - an enabler, in a way - to the wastefulness.  It bothers me, so I find some joy in giving them even a brief bit of care and extended usefulness.

The Boats

None of them are going to be up to making long passages, so I don't get too attached to them and happily leave them behind when I need to move some place new.  Cost and effort to restore or renew any of them would be highly unlikely to be recovered, so I minimize my investment: easy-come, easy-go.

I actually put very little effort into any of my own boats, because it's the sailing that I love and not the boat; it's about the wind and the water, not the gadgets and brightwork.

When it comes to choosing a boat, I usually let the location do much of the deciding for me.  They never need to get me very far from where I already am, so those qualities that make "great cruisers" don't necessarily need to be paramount; it affords me quite a lot of flexibility and freedom.

The estuaries in the UK really cried out for a shallow-bellied, tall-rigged bilge-keeler (which was wood, and so full of rot that is sort of "oozed" over the waves!), while in Fremantle I made the most of the perpetually-gorgeous sailing conditions and picked up an older generation lightweight racer that wasn't great to live on, but absolute bliss to sail.  In Toronto I had a C&C Redwing 30 and a Niagara 30 at different times: very different boats, but both had decent headroom which made winters bearable.  In Argentina I spent the most out of any of them when I found an old German Frers IOR warhorse and proceeded to regularly get it stuck in the mud.  It was quite enjoyable to actually meet him at his home, and tell him the story ; )

I like boats that have histories, and stories.  When they're shiny and new and washed everyday they seem "silent" to me.  None of them have been over ten thousand bucks to buy, and generally they have been around five or six.

Reselling at the end is the hard part and could take forever, or even never happen. Having put little in I really don't need to get much back out so I cut my asking price right down to a few thousand dollars and someone usually jumps on it.  People are far more likely to buy an old boat that is the in the water and being used than they are a boat that has been sitting dry for years, or decades.  I look at what I spent as my rent for the duration, and my return covers the expense to move me and my gear to the next place.

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